Recording studio
Hazelmere Hill Sound · Recording studio · Durham, NC
Tobias Oyelaran is the studio manager at Hazelmere Hill Sound, a recording studio in Durham, and he keeps every post, newsletter and release announcement moving from idea to published on a steady schedule while watching what the paid pushes cost.
Agencies and creativeContentAgents4 tables · 6 views · 1 form · 1 digest · 1 notification · 1 stage rule set · 1 agent
Use this templateContent board
Posts and newslettersStudio holiday hours
A short film on how a vocal chain is built
What to bring to your first tracking day
Interview with the Calloway Brothers' bassist
Fall mastering special for singles
Behind the glass with the Glasshouse Score
Five questions to ask before you book a studio
The old Neumann on the bench
Wintering Over: the demo tapes we found
The January letter: what's coming up
A tour of the live room's new diffusers
Why we still print tape sheets
Hollow Oak Hymnal release plan
The December letter: year-end booking and gift cards
Paper Lanterns EP: first day of tracking
Slow Weather goes to mastering
The November letter: what we recorded this fall
Cardinal Hours single announcement
How to prepare your band for a two-day tracking session
Mastering for streaming: what loudness to aim for
How we caught the room on Marigold Static
The September letter: a new live room and new rates
River Bend Sessions is out everywhere
Seven mic placement mistakes we fix every week
The ribbon mic that makes vocals feel close
Tables
Posts and newsletters
34 sample rows · 12 columnsEvery post, newsletter, blog entry and release announcement the studio plans, writes and sends, with its stage and day.
| Title | Piece number | Channel | Topic | Project | Writer | Stage |
|---|---|---|---|---|---|---|
| Ten Thousand Porches, one year on | CP-26-711 | Ten Thousand Porches | Marguerite Vossberg-Adeyemi | |||
| How we caught the room on Marigold Static | CP-26-701 | Marigold Static | Marguerite Vossberg-Adeyemi | |||
| River Bend Sessions is out everywhere | CP-26-703 | River Bend Sessions | Marguerite Vossberg-Adeyemi | |||
| The September letter: a new live room and new rates | CP-26-702 | — | Marguerite Vossberg-Adeyemi | |||
| Seven mic placement mistakes we fix every week | CP-26-704 | — | Calista Braddock-Nwachukwu | |||
| The ribbon mic that makes vocals feel close | CP-26-705 | — | Fenwick Alderidge-Mbeki | |||
| Dust and Tin, the new single from Tomasz Brightwater | CP-26-706 | Dust and Tin | Marguerite Vossberg-Adeyemi | |||
| Night Shift Radio season two: day one in the booth | CP-26-707 | Night Shift Radio, season two | Fenwick Alderidge-Mbeki | |||
| Recording a church choir without losing the room | CP-26-708 | Hollow Oak Hymnal | Calista Braddock-Nwachukwu | |||
| The October letter: holiday booking is open | CP-26-709 | — | Marguerite Vossberg-Adeyemi | |||
| Our new tube compressor at work on a snare | CP-26-710 | — | Fenwick Alderidge-Mbeki | |||
| Slow Weather goes to mastering | CP-26-712 | Slow Weather | Jonas Kettleborough-Ito |
Recording projects
12 sample rows · 8 columnsEvery record, single and podcast season in the studio, with the artist, the stage it is in and its release day.
| Project | Project number | Artist or group | Kind | Stage | Release day | Contract fee |
|---|---|---|---|---|---|---|
| Second Cousins | RP-26-411 | Rafferty and Pine | Jun 20, 2026 | $6,400 | ||
| Ten Thousand Porches | RP-26-406 | Marlow Rye | Jul 25, 2026 | $6,800 | ||
| River Bend Sessions | RP-26-404 | The Calloway Brothers | Sep 8, 2026 | $21,000 | ||
| Dust and Tin | RP-26-408 | Tomasz Brightwater | Oct 3, 2026 | $2,600 | ||
| Slow Weather | RP-26-403 | Hollis Fernando Tate | Oct 30, 2026 | $2,400 | ||
| Night Shift Radio, season two | RP-26-405 | Verity Okonkwo-Lund | Nov 7, 2026 | $9,800 | ||
| Cardinal Hours | RP-26-412 | Imogen Strathcona-Ade | Nov 12, 2026 | $2,800 | ||
| Hollow Oak Hymnal | RP-26-410 | Hollow Oak Congregational Choir | Nov 17, 2026 | $11,200 | ||
| Marigold Static | RP-26-401 | Odessa Brandvold | Dec 2, 2026 | $18,500 | ||
| Glasshouse Score | RP-26-407 | Anneliese Quist | Jan 21, 2027 | $15,500 | ||
| Paper Lanterns | RP-26-402 | June Ambrose Kettering | Feb 15, 2027 | $7,200 | ||
| Wintering Over | RP-26-409 | Perla Santibanez-Hoyt | Mar 17, 2027 | $19,500 |
Boosts and swaps
14 sample rows · 10 columnsThe paid pushes and newsletter swaps behind a post: where, how much, for how long and what came back.
| Boost number | Post | Where | Spend | Starts | Ends | Impressions |
|---|---|---|---|---|---|---|
| PR-26-814 | Marigold Static pre-save announcement | $220 | Nov 26, 2026 | Dec 4, 2026 | — | |
| PR-26-812 | Cardinal Hours single announcement | $280 | Nov 13, 2026 | Nov 21, 2026 | — | |
| PR-26-813 | Cardinal Hours single announcement | $160 | Nov 13, 2026 | Nov 20, 2026 | — | |
| PR-26-811 | Slow Weather goes to mastering | $75 | Oct 21, 2026 | Oct 28, 2026 | — | |
| PR-26-809 | Our new tube compressor at work on a snare | $60 | Oct 16, 2026 | Oct 23, 2026 | 3,900 | |
| PR-26-808 | Recording a church choir without losing the room | $110 | Oct 10, 2026 | Oct 20, 2026 | 8,200 | |
| PR-26-807 | Night Shift Radio season two: day one in the booth | $90 | Oct 7, 2026 | Oct 14, 2026 | 9,800 | |
| PR-26-806 | Dust and Tin, the new single from Tomasz Brightwater | $200 | Oct 6, 2026 | Oct 15, 2026 | 14,800 | |
| PR-26-805 | Dust and Tin, the new single from Tomasz Brightwater | $250 | Oct 4, 2026 | Oct 12, 2026 | 31,800 | |
| PR-26-804 | The ribbon mic that makes vocals feel close | $80 | Sep 28, 2026 | Oct 4, 2026 | 12,300 | |
| PR-26-803 | River Bend Sessions is out everywhere | $150 | Sep 10, 2026 | Sep 17, 2026 | 9,600 | |
| PR-26-802 | River Bend Sessions is out everywhere | $300 | Sep 9, 2026 | Sep 18, 2026 | 52,100 |
Also included
- Content stages
- Going out tomorrowReminds the writer a day before a scheduled piece goes out.
- Monday review pile
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